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	<id>https://fotografenwiki.greven-archiv-digital.de//index.php?action=history&amp;feed=atom&amp;title=Ward_Muir</id>
	<title>Ward Muir - Versionsgeschichte</title>
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	<updated>2026-06-21T23:20:59Z</updated>
	<subtitle>Versionsgeschichte dieser Seite in FotografenWiki</subtitle>
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		<title>Walter.mueller: Neuaufnahme</title>
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		<updated>2024-01-22T17:14:52Z</updated>

		<summary type="html">&lt;p&gt;Neuaufnahme&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version vom 22. Januar 2024, 19:14 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Zeile 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Amateur&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fotograf&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Lebensdaten==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Lebensdaten ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nicht bekannt&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;eigentl.: Wardrop Openshaw Muir; geb. 1878 in Derby, gest. 1927 in London&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Werdegang==  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Werdegang ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;zu Beginn &lt;/del&gt;des &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;20&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jh&lt;/del&gt;. tätig &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;im Rahmen &lt;/del&gt;der &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kunstphotographie&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bewegung&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Erste Europareise schon mit 17 Jahren, dabei Skizzen und Aquarelle italienischer, französischer und holländischer Landschaften&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nach seiner Rückkehr 1898 Beschäftigung mit der Fotografie im Stil &lt;/ins&gt;des &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;»Pictorialismus«&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1904 Mitgliedschaft im »Linked Ring«&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Neben Romanen und Kurzgeschichten auch mehrere fototheoretische Texte für die Zeitschrift »Amateur Photographer«&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;„In England gilt Ward Muir als einer der Pioniere des Bildjournalismus&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Während des Ersten Weltkrieges war er für die »Gazette«, eine Zeitschrift des Royal Army Medical Corps, &lt;/ins&gt;tätig&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.“  &amp;lt;ref&amp;gt;Zitiert aus: Jörg Krichbaum, Lexikon &lt;/ins&gt;der &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fotografen, Fischer Taschenbuch Verlag, Ffm., 1981, ISBN 3-596&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;26418-9 &amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Ausstellungen ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1901 „Landschaften“ im Photographic Salon&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Literatur==  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Literatur==  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Charles Holme (Hg.), Colour Photography and other recent developments of the art of the Camera, Photo-Beiträge von Frances  Allan, Mary  Allan, J. Craig  Annan, Malcolm Arbuthnot, Dr. H. Bachmann, Walter Benington, Annie W. Brigman, Eustace  Calland, Alvin Langdon Coburn, Fannie E. Coburn, R. Lincoln Cocks, Reginald  Craigie, Dwight A. Davis, George Davison, Robert Demachy, C. J. v. Dühren, R. Dührkoop, Leopold Ebert, Gustavus Eisen, Frank Eugene, J. H. Field, Siri Fischer-Schneevoigt, David Octavius Hill, Dr. Julius Hofmann, T. &amp;amp; O. Hofmeister, Charles Job, J. Dudley Johnston, Gertrude Käsebier, Alexander Keighley, Joseph T. Keiley, Hermann C. Kosel, Heinrich  Kühn, Anton Baron de Meyer, Hervey W. Minns, F. J. Mortimer, Cavendish Morton, Felix Muhr, Ward Muir, H. W. Müller, Nicola Perscheid, Paul Pichier, Karel Prokop, G. E. H. Rawlings, Guido Rey, George H. Seeley, G. Bernard  Shaw, Alfred Stieglitz, W. Orison Unterwood, F. W. Urquhart, E. Warner, Eva Watson-Schütze, Clarence H. White; Offices of „The Studio“, London, Paris &amp;amp; New York 1908&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Charles Holme (Hg.), Colour Photography and other recent developments of the art of the Camera, Photo-Beiträge von Frances  Allan, Mary  Allan, J. Craig  Annan, Malcolm Arbuthnot, Dr. H. Bachmann, Walter Benington, Annie W. Brigman, Eustace  Calland, Alvin Langdon Coburn, Fannie E. Coburn, R. Lincoln Cocks, Reginald  Craigie, Dwight A. Davis, George Davison, Robert Demachy, C. J. v. Dühren, R. Dührkoop, Leopold Ebert, Gustavus Eisen, Frank Eugene, J. H. Field, Siri Fischer-Schneevoigt, David Octavius Hill, Dr. Julius Hofmann, T. &amp;amp; O. Hofmeister, Charles Job, J. Dudley Johnston, Gertrude Käsebier, Alexander Keighley, Joseph T. Keiley, Hermann C. Kosel, Heinrich  Kühn, Anton Baron de Meyer, Hervey W. Minns, F. J. Mortimer, Cavendish Morton, Felix Muhr, Ward Muir, H. W. Müller, Nicola Perscheid, Paul Pichier, Karel Prokop, G. E. H. Rawlings, Guido Rey, George H. Seeley, G. Bernard  Shaw, Alfred Stieglitz, W. Orison Unterwood, F. W. Urquhart, E. Warner, Eva Watson-Schütze, Clarence H. White; Offices of „The Studio“, London, Paris &amp;amp; New York 1908&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;F. J. Mortimer, F. R. P. S. (Ed.), Photograms oft the Year 1924, The Annual Review for 1925 of the World’s Pictorial Photographic Work, Photos: Adams, Marcus,  London, Allan, Janet,  Wallington, Anderson, J. H.  London, Andrejeff, N. P. , Moscow, Archer, F. R. , Los Angeles, Ashbee, W. H. , London, Bairstow, Herbert , Halifex, Banfield, A. C. , London, Basil, Angus , London, Benington, Walter,  London Bernard, Gregory , London, Blason, C. H. , Hong Kong, Borrenbergen, E. , Antwerp, Bostock, C. W. , Sydney, Bricarelli, S. , Turin, Bridgen, Alfred , Canada, Bromley, C. A. , London, Brown, G. , Melbourne, Cazneau, H. , Sydney, Cox, Bertram , London, Demachy, Robert , Paris, Doolittle, J. N. , Los Angeles, Drtikol, F. , Prague, Dubreuil, Pierre , Lille, Eaton, John B. , Melbourne, Echague, J. Ortiz , Madrid, Emanuel, C. H. L. , London, Eutrope, Stanley W. , Sydney, Ferraro, Augusto , Italy, Fleckenstein, Louis , California,  Gaze, H. E. , New Zeeland, Gregory, Yvonne , London, Guillot, Laure Albin , Paris, Hayashida, T. , Japan, High, G. H. , Chicago, Hoch, E. , Toronto, Holt, Thyra , Denmark, Job, Chas. , Richmond, Johnston, J. Dudley, London, Judge, Fred , Hastings, Kales, Arthur F. , Los Angeles, Keene, Minna , Canada, Keighley, Alexander,  Steeton, Kent, Arnold F. , Norwich, Lambert, Herbert , Bath, Lauschmann, Dr. Ing. Jan., Czecho-Slovakia, Lewis, R. C. , Long Beach/USA, Lewis, Marian , London, Lewis, Furley , London, Libby, Francis Orville ,  Portland/USA, Linden, Hal , London, Lomax, J. Arthur , Cardiff, Lonnquist, H. , Sweden, Lovejoy, Dr. R. S. , Portland/USA, MacDonald, Pirie , New York, Macdonald, A. M. , New Zealand, Martin,  Agnes , Wallington, McKissack, Jas. , Glasgow, Mikuni, Japan, S. , Japan, Misonne, Leonard , Belgium, Mortimer, F. J. , London, Mowlam, Eng.-Com. E. J. ,  Portsmouth, Muir, Ward,  London, Muray, Nickolas, New York, Murchison, Hector , London, Nappelbaum, A. S. , Moscow, Polak, R. , Rotterdam, Prior, G. F. , Chingford, Puyo, C. , Paris, Ralli, Marietta , London, Remfeldt, Aage , Christiania, Rombaut, E. M. , Antwerp, Rutherford, W. , Ontario, Saba, S. , Japan, Schneeberger, H. , Paris, Sketch, Wilfred , Cape Town, Sommariva, Emilio , Milan Sugimoto, K. , Japan, Symes, C. J. , Liverpool, Tankai E.  Suzuki, Thomas Walter , London, Torrance, H. C. , Pitsburgh, Tournay, J. , Monaco, Wadenoyen, H. N. van , Cardiff, Warburg, J. C. , London, Watson, A. Swan , Edinbourgh, Weaver, J. R. H. , London, Whitehead, J. M. , Alva, Wilding, Dorothy , London, Wilkinson, A. , Adelaide, Yarovoff, N. , Moscow, Zeigler, Franz , Holland, liffe &amp;amp; Sons, London 1924&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;F. J. Mortimer, F. R. P. S. (Ed.), Photograms oft the Year 1924, The Annual Review for 1925 of the World’s Pictorial Photographic Work, Photos: Adams, Marcus,  London, Allan, Janet,  Wallington, Anderson, J. H.  London, Andrejeff, N. P. , Moscow, Archer, F. R. , Los Angeles, Ashbee, W. H. , London, Bairstow, Herbert , Halifex, Banfield, A. C. , London, Basil, Angus , London, Benington, Walter,  London Bernard, Gregory , London, Blason, C. H. , Hong Kong, Borrenbergen, E. , Antwerp, Bostock, C. W. , Sydney, Bricarelli, S. , Turin, Bridgen, Alfred , Canada, Bromley, C. A. , London, Brown, G. , Melbourne, Cazneau, H. , Sydney, Cox, Bertram , London, Demachy, Robert , Paris, Doolittle, J. N. , Los Angeles, Drtikol, F. , Prague, Dubreuil, Pierre , Lille, Eaton, John B. , Melbourne, Echague, J. Ortiz , Madrid, Emanuel, C. H. L. , London, Eutrope, Stanley W. , Sydney, Ferraro, Augusto , Italy, Fleckenstein, Louis , California,  Gaze, H. E. , New Zeeland, Gregory, Yvonne , London, Guillot, Laure Albin , Paris, Hayashida, T. , Japan, High, G. H. , Chicago, Hoch, E. , Toronto, Holt, Thyra , Denmark, Job, Chas. , Richmond, Johnston, J. Dudley, London, Judge, Fred , Hastings, Kales, Arthur F. , Los Angeles, Keene, Minna , Canada, Keighley, Alexander,  Steeton, Kent, Arnold F. , Norwich, Lambert, Herbert , Bath, Lauschmann, Dr. Ing. Jan., Czecho-Slovakia, Lewis, R. C. , Long Beach/USA, Lewis, Marian , London, Lewis, Furley , London, Libby, Francis Orville ,  Portland/USA, Linden, Hal , London, Lomax, J. Arthur , Cardiff, Lonnquist, H. , Sweden, Lovejoy, Dr. R. S. , Portland/USA, MacDonald, Pirie , New York, Macdonald, A. M. , New Zealand, Martin,  Agnes , Wallington, McKissack, Jas. , Glasgow, Mikuni, Japan, S. , Japan, Misonne, Leonard , Belgium, Mortimer, F. J. , London, Mowlam, Eng.-Com. E. J. ,  Portsmouth, Muir, Ward,  London, Muray, Nickolas, New York, Murchison, Hector , London, Nappelbaum, A. S. , Moscow, Polak, R. , Rotterdam, Prior, G. F. , Chingford, Puyo, C. , Paris, Ralli, Marietta , London, Remfeldt, Aage , Christiania, Rombaut, E. M. , Antwerp, Rutherford, W. , Ontario, Saba, S. , Japan, Schneeberger, H. , Paris, Sketch, Wilfred , Cape Town, Sommariva, Emilio , Milan Sugimoto, K. , Japan, Symes, C. J. , Liverpool, Tankai E.  Suzuki, Thomas Walter , London, Torrance, H. C. , Pitsburgh, Tournay, J. , Monaco, Wadenoyen, H. N. van , Cardiff, Warburg, J. C. , London, Watson, A. Swan , Edinbourgh, Weaver, J. R. H. , London, Whitehead, J. M. , Alva, Wilding, Dorothy , London, Wilkinson, A. , Adelaide, Yarovoff, N. , Moscow, Zeigler, Franz , Holland, liffe &amp;amp; Sons, London 1924&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;M. W. In: Pictorial Photography in Britain 1900-1920, Ausstellungskatalog der Royal Photo-graphic Society. London 1978&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Kategorie: Amateur]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Kategorie: Amateur]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Kategorie: 19. Jh.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Kategorie: 19. Jh.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot;&gt;Zeile 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{SORTIERUNG: Muir, Ward}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{SORTIERUNG: Muir, Ward}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Quelle==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Quelle==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;references/&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Charles Holme (Hg.), Colour Photography and other recent developments of the art of the Camera, Offices of „The Studio“, London, Paris &amp;amp; New York 1908&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Charles Holme (Hg.), Colour Photography and other recent developments of the art of the Camera, Offices of „The Studio“, London, Paris &amp;amp; New York 1908&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Walter.mueller</name></author>
	</entry>
	<entry>
		<id>https://fotografenwiki.greven-archiv-digital.de//index.php?title=Ward_Muir&amp;diff=30862&amp;oldid=prev</id>
		<title>Walter.mueller am 11. Mai 2015 um 09:32 Uhr</title>
		<link rel="alternate" type="text/html" href="https://fotografenwiki.greven-archiv-digital.de//index.php?title=Ward_Muir&amp;diff=30862&amp;oldid=prev"/>
		<updated>2015-05-11T09:32:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;de-x-formal&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version vom 11. Mai 2015, 11:32 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot;&gt;Zeile 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Literatur==  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Literatur==  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Charles Holme (Hg.), Colour Photography and other recent developments of the art of the Camera, Photo-Beiträge von Frances  Allan, Mary  Allan, J. Craig  Annan, Malcolm Arbuthnot, Dr. H. Bachmann, Walter Benington, Annie W. Brigman, Eustace  Calland, Alvin Langdon Coburn, Fannie E. Coburn, R. Lincoln Cocks, Reginald  Craigie, Dwight A. Davis, George Davison, Robert Demachy, C. J. v. Dühren, R. Dührkoop, Leopold Ebert, Gustavus Eisen, Frank Eugene, J. H. Field, Siri Fischer-Schneevoigt, David Octavius Hill, Dr. Julius Hofmann, T. &amp;amp; O. Hofmeister, Charles Job, J. Dudley Johnston, Gertrude Käsebier, Alexander Keighley, Joseph T. Keiley, Hermann C. Kosel, Heinrich  Kühn, Anton Baron de Meyer, Hervey W. Minns, F. J. Mortimer, Cavendish Morton, Felix Muhr, Ward Muir, H. W. Müller, Nicola Perscheid, Paul Pichier, Karel Prokop, G. E. H. Rawlings, Guido Rey, George H. Seeley, G. Bernard  Shaw, Alfred Stieglitz, W. Orison Unterwood, F. W. Urquhart, E. Warner, Eva Watson-Schütze, Clarence H. White; Offices of „The Studio“, London, Paris &amp;amp; New York 1908&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Charles Holme (Hg.), Colour Photography and other recent developments of the art of the Camera, Photo-Beiträge von Frances  Allan, Mary  Allan, J. Craig  Annan, Malcolm Arbuthnot, Dr. H. Bachmann, Walter Benington, Annie W. Brigman, Eustace  Calland, Alvin Langdon Coburn, Fannie E. Coburn, R. Lincoln Cocks, Reginald  Craigie, Dwight A. Davis, George Davison, Robert Demachy, C. J. v. Dühren, R. Dührkoop, Leopold Ebert, Gustavus Eisen, Frank Eugene, J. H. Field, Siri Fischer-Schneevoigt, David Octavius Hill, Dr. Julius Hofmann, T. &amp;amp; O. Hofmeister, Charles Job, J. Dudley Johnston, Gertrude Käsebier, Alexander Keighley, Joseph T. Keiley, Hermann C. Kosel, Heinrich  Kühn, Anton Baron de Meyer, Hervey W. Minns, F. J. Mortimer, Cavendish Morton, Felix Muhr, Ward Muir, H. W. Müller, Nicola Perscheid, Paul Pichier, Karel Prokop, G. E. H. Rawlings, Guido Rey, George H. Seeley, G. Bernard  Shaw, Alfred Stieglitz, W. Orison Unterwood, F. W. Urquhart, E. Warner, Eva Watson-Schütze, Clarence H. White; Offices of „The Studio“, London, Paris &amp;amp; New York 1908&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;F. J. Mortimer, F. R. P. S. (Ed.), Photograms oft the Year 1924, The Annual Review for 1925 of the World’s Pictorial Photographic Work, Photos: Adams, Marcus,  London, Allan, Janet,  Wallington, Anderson, J. H.  London, Andrejeff, N. P. , Moscow, Archer, F. R. , Los Angeles, Ashbee, W. H. , London, Bairstow, Herbert , Halifex, Banfield, A. C. , London, Basil, Angus , London, Benington, Walter,  London Bernard, Gregory , London, Blason, C. H. , Hong Kong, Borrenbergen, E. , Antwerp, Bostock, C. W. , Sydney, Bricarelli, S. , Turin, Bridgen, Alfred , Canada, Bromley, C. A. , London, Brown, G. , Melbourne, Cazneau, H. , Sydney, Cox, Bertram , London, Demachy, Robert , Paris, Doolittle, J. N. , Los Angeles, Drtikol, F. , Prague, Dubreuil, Pierre , Lille, Eaton, John B. , Melbourne, Echague, J. Ortiz , Madrid, Emanuel, C. H. L. , London, Eutrope, Stanley W. , Sydney, Ferraro, Augusto , Italy, Fleckenstein, Louis , California,  Gaze, H. E. , New Zeeland, Gregory, Yvonne , London, Guillot, Laure Albin , Paris, Hayashida, T. , Japan, High, G. H. , Chicago, Hoch, E. , Toronto, Holt, Thyra , Denmark, Job, Chas. , Richmond, Johnston, J. Dudley, London, Judge, Fred , Hastings, Kales, Arthur F. , Los Angeles, Keene, Minna , Canada, Keighley, Alexander,  Steeton, Kent, Arnold F. , Norwich, Lambert, Herbert , Bath, Lauschmann, Dr. Ing. Jan., Czecho-Slovakia, Lewis, R. C. , Long Beach/USA, Lewis, Marian , London, Lewis, Furley , London, Libby, Francis Orville ,  Portland/USA, Linden, Hal , London, Lomax, J. Arthur , Cardiff, Lonnquist, H. , Sweden, Lovejoy, Dr. R. S. , Portland/USA, MacDonald, Pirie , New York, Macdonald, A. M. , New Zealand, Martin,  Agnes , Wallington, McKissack, Jas. , Glasgow, Mikuni, Japan, S. , Japan, Misonne, Leonard , Belgium, Mortimer, F. J. , London, Mowlam, Eng.-Com. E. J. ,  Portsmouth, Muir, Ward,  London, Muray, Nickolas, New York, Murchison, Hector , London, Nappelbaum, A. S. , Moscow, Polak, R. , Rotterdam, Prior, G. F. , Chingford, Puyo, C. , Paris, Ralli, Marietta , London, Remfeldt, Aage , Christiania, Rombaut, E. M. , Antwerp, Rutherford, W. , Ontario, Saba, S. , Japan, Schneeberger, H. , Paris, Sketch, Wilfred , Cape Town, Sommariva, Emilio , Milan Sugimoto, K. , Japan, Symes, C. J. , Liverpool, Tankai E.  Suzuki, Thomas Walter , London, Torrance, H. C. , Pitsburgh, Tournay, J. , Monaco, Wadenoyen, H. N. van , Cardiff, Warburg, J. C. , London, Watson, A. Swan , Edinbourgh, Weaver, J. R. H. , London, Whitehead, J. M. , Alva, Wilding, Dorothy , London, Wilkinson, A. , Adelaide, Yarovoff, N. , Moscow, Zeigler, Franz , Holland, liffe &amp;amp; Sons, London 1924&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Kategorie: Amateur]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Kategorie: Amateur]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Kategorie: 19. Jh.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Kategorie: 19. Jh.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Walter.mueller</name></author>
	</entry>
	<entry>
		<id>https://fotografenwiki.greven-archiv-digital.de//index.php?title=Ward_Muir&amp;diff=26189&amp;oldid=prev</id>
		<title>Walter.mueller: Die Seite wurde neu angelegt: „Amateur ==Lebensdaten== nicht bekannt ==Werdegang==  zu Beginn des 20. Jh. tätig im Rahmen der Kunstphotographie-Bewegung ==Literatur==  Charles Holme (Hg.), …“</title>
		<link rel="alternate" type="text/html" href="https://fotografenwiki.greven-archiv-digital.de//index.php?title=Ward_Muir&amp;diff=26189&amp;oldid=prev"/>
		<updated>2014-10-17T16:59:27Z</updated>

		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „Amateur ==Lebensdaten== nicht bekannt ==Werdegang==  zu Beginn des 20. Jh. tätig im Rahmen der Kunstphotographie-Bewegung ==Literatur==  Charles Holme (Hg.), …“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Amateur&lt;br /&gt;
==Lebensdaten==&lt;br /&gt;
nicht bekannt&lt;br /&gt;
==Werdegang== &lt;br /&gt;
zu Beginn des 20. Jh. tätig im Rahmen der Kunstphotographie-Bewegung&lt;br /&gt;
==Literatur== &lt;br /&gt;
Charles Holme (Hg.), Colour Photography and other recent developments of the art of the Camera, Photo-Beiträge von Frances  Allan, Mary  Allan, J. Craig  Annan, Malcolm Arbuthnot, Dr. H. Bachmann, Walter Benington, Annie W. Brigman, Eustace  Calland, Alvin Langdon Coburn, Fannie E. Coburn, R. Lincoln Cocks, Reginald  Craigie, Dwight A. Davis, George Davison, Robert Demachy, C. J. v. Dühren, R. Dührkoop, Leopold Ebert, Gustavus Eisen, Frank Eugene, J. H. Field, Siri Fischer-Schneevoigt, David Octavius Hill, Dr. Julius Hofmann, T. &amp;amp; O. Hofmeister, Charles Job, J. Dudley Johnston, Gertrude Käsebier, Alexander Keighley, Joseph T. Keiley, Hermann C. Kosel, Heinrich  Kühn, Anton Baron de Meyer, Hervey W. Minns, F. J. Mortimer, Cavendish Morton, Felix Muhr, Ward Muir, H. W. Müller, Nicola Perscheid, Paul Pichier, Karel Prokop, G. E. H. Rawlings, Guido Rey, George H. Seeley, G. Bernard  Shaw, Alfred Stieglitz, W. Orison Unterwood, F. W. Urquhart, E. Warner, Eva Watson-Schütze, Clarence H. White; Offices of „The Studio“, London, Paris &amp;amp; New York 1908&lt;br /&gt;
[[Kategorie: Amateur]]&lt;br /&gt;
[[Kategorie: 19. Jh.]]&lt;br /&gt;
[[Kategorie: Pictorialismus]]&lt;br /&gt;
[[Kategorie: Kunstphotographie]]&lt;br /&gt;
[[Kategorie: Landschaft]]&lt;br /&gt;
{{SORTIERUNG: Muir, Ward}}&lt;br /&gt;
==Quelle==&lt;br /&gt;
Charles Holme (Hg.), Colour Photography and other recent developments of the art of the Camera, Offices of „The Studio“, London, Paris &amp;amp; New York 1908&lt;/div&gt;</summary>
		<author><name>Walter.mueller</name></author>
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