Horace Nicholls: Unterschied zwischen den Versionen
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"And it was in South Africa, during the Boer War (1899–1902) that he first established an international reputation, making sometimes dramatic, sometimes somber photographs of the conflict. He documented the bombardment of Ladysmith, the movement of troops to frontlines, officers relaxing, the burying the dead and much more. He became one of the world’s earliest photojournalists." <ref>Zitiert aus: John Hannavy: "Encyclopedia of Nineteenth-Century Photography", New York 2008, Routledge (2 Bände), ISBN 978-0-415-97235-2</ref> | "And it was in South Africa, during the Boer War (1899–1902) that he first established an international reputation, making sometimes dramatic, sometimes somber photographs of the conflict. He documented the bombardment of Ladysmith, the movement of troops to frontlines, officers relaxing, the burying the dead and much more. He became one of the world’s earliest photojournalists." <ref>Zitiert aus: John Hannavy: "Encyclopedia of Nineteenth-Century Photography", New York 2008, Routledge (2 Bände), ISBN 978-0-415-97235-2</ref> | ||
==Literatur== | ==Literatur== | ||
"Die internationale Bibliothek der Photographie. Photojournalismus", Zürich 1985, Orell Füssli, ISBN 3-280-01523-5 | |||
Jorge Lewinski: "The Camera at War", London 1978, Octopus, ISBN 0-7064-2781-5 | |||
Gail Buckland: "The Golden Summer: The Edwardian Photographs of Horace W. Nicholls", London 1989, Pavillion | Gail Buckland: "The Golden Summer: The Edwardian Photographs of Horace W. Nicholls", London 1989, Pavillion | ||
Version vom 20. Mai 2015, 08:28 Uhr
Fotograf
Lebensdaten
(17.02.1867 Cambridge / Großbritannien - )
Werdegang
vollständiger Name: Horace Walter Nicholls
erlernt bei seinem Vater Arthur Nicholls und seinem Onkel, die beide als professionelle Fotografen tätig waren, das fotografische Handwerk
ca 1887-1889 Aufenthalt in Chile
1892 Übersiedlung nach Johannesburg in Südafrika und Mitarbeit beim Fotografen James F. Goch
1896 Aufgabe der Arbeit im Studio
Rückkehr nach England und Arbeit für Magazine wie The Tatler, The Illustrated London News und Black and White
1918-1932 Mitarbeiter des Imperial War Museums in London (Dunkelkammer, Konservierung von Fotografien)
"And it was in South Africa, during the Boer War (1899–1902) that he first established an international reputation, making sometimes dramatic, sometimes somber photographs of the conflict. He documented the bombardment of Ladysmith, the movement of troops to frontlines, officers relaxing, the burying the dead and much more. He became one of the world’s earliest photojournalists." [1]
Literatur
"Die internationale Bibliothek der Photographie. Photojournalismus", Zürich 1985, Orell Füssli, ISBN 3-280-01523-5
Jorge Lewinski: "The Camera at War", London 1978, Octopus, ISBN 0-7064-2781-5
Gail Buckland: "The Golden Summer: The Edwardian Photographs of Horace W. Nicholls", London 1989, Pavillion
John Hannavy: "Encyclopedia of Nineteenth-Century Photography", New York 2008, Routledge (2 Bände), ISBN 978-0-415-97235-2
Quelle
- ↑ Zitiert aus: John Hannavy: "Encyclopedia of Nineteenth-Century Photography", New York 2008, Routledge (2 Bände), ISBN 978-0-415-97235-2
